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   by Gina Hartoog

Be Art smart

Art enables you to add an individual touch to your home – but how do you go about choosing, buying, framing and caring for a work of art?

Click here for our art gallery.

Art adds colour and dimension to a room and is a good way to add a cosy, 'lived in' feeling to your living space. According to Pam Heller-Stern, co-owner of Artistic Innovations art gallery in Bedfordview, Johannesburg, rooms with bare walls have a distinctive echo and wall art helps to absorb this 'empty' sound.

The art you choose should never be selected purely to suit your décor – personal taste is also important and going in search of an artwork that suits your home doesn't mean you have to find an exact match. Rather make sure that the piece you choose picks up on a few colours in your décor scheme, thus creating a subtle link – this can be achieved by choosing a frame that connects the piece to what you already have.

Feng Shui practitioners teach that every piece of art in the home has an emotional effect on the occupants. Paintings depicting calm scenes evoke softer emotions and are perfect for restful spaces such as the bedroom. Those with warmer colours and vibrant patterns are more suited to spaces where energy flows faster, such as in a bar area or family room.

Is art an investment?
Original art is regarded as a good investment but never in the short term. A piece, however, will continue to increase in value over time. Make sure that you like what you are buying – the pleasure you get from purchasing a piece should be in what you feel when you look at it, rather than in how much money you can make from it in the future.

Consider that oil paintings always fetch a higher price and are considered the most valuable medium. Unlike photographs, oils can last for hundreds of years and can be passed down through generations. Acrylics are also considered a very sophisticated medium, says Pam.
'Although they are water-based they are still regarded as oil and fall within the top category.'

There is a distinct difference between the value of a piece by an artist who is still alive as opposed to a piece by a deceased artist. For example, before his death in 2005, an original Gregoire Boonzaier oil on board (300 x 400mm) was worth about R45 000. Today the same painting is worth approximately R90 000.

Guidelines for selecting art
Art enthusiasts agree that buying art purely for the sake of investment isn't sensible. You need to like what you are buying as you need to take responsibility for the care and preservation of the piece.

When selecting art for your home, consider sculptures, ceramics, glassware or metalwork. If you're keen on purchasing a wood carving, pay attention to style, form and detail. The theme should also be unique.

When buying a photograph, the print should be signed and preferably be part of a limited edition numbered series. If you are looking at etchings, look for the indentation lines created by the plate as the paper passes through the machine – they should be visible running along two sides of the paper.

Etchings should always be signed and should be part of a limited series, which usually consists of about 300 copies. Broadening your knowledge will help you to make better choices: there's no point buying an oil painting if you don't really like oils – perhaps you prefer pastels or pencil drawings.

Content is also important. Do you enjoy abstract or modern art? Do you prefer landscapes or wildlife? Browse through a few local online galleries such as www.africaartgallery.co.za, www.michaelstevenson.com or www.artorchard.co.za and international galleries such as www.gallerytoday.com.

Art museums are also great places to pick up a wealth of information and learn about trends. Once you have your ideas firmly in place, you can visit a reputable gallery and start the process of finding your dream piece.

'Seek good advice from knowledgeable people before you make a purchase,' says Shaun Maloney, a practising artist and owner of the Art Café Gallery in Milnerton, Cape Town. 'Everyone has to start somewhere so it makes sense to buy the best you can afford.'

Original art doesn't have to be exorbitant, so buy the original wherever possible. Here are a few questions to ask the gallery owner:

  • Is this artist established in the market?
  • How old is the artist?
  • May I see early works by this artist?
  • What do you like about this artist's work?

    Height and shape, reflections and proportions
    Size does count – a large painting can overwhelm a small space and make the room appear even smaller while a small picture placed above a large sofa will be lost in the surrounding area. Don't let your art float up into space: a good rule of thumb states that art should be hung about 30cm higher than a piece of furniture. Don't be afraid to mix and match more striking pieces with plainer ones. If you are grouping, use the heavy works, such as those with dark colours or large embossed frames, in the centre and work outwards with plainer pieces.

    In passageways and entrance halls art should be placed at the eye level of a standing person of average height, while in the living and dining areas this level will be lower as most people will view the piece when seated.

    Lighting
    Spotlights, downlights or track lighting are the best options but the focus should remain on the artwork and not on the light fitting. For paintings under glass, choose non-reflective glass to prevent glare problems, especially at night. The type of light source you choose will have an effect on the piece.

    Incandescent bulbs produce a warm light that often brings out the warmer colours in a painting and flattens out the cooler shades. Halogen lights cast white light and are ideal for lighting art, but they also generate heat and shouldn't be placed too close to the piece. Fluorescent lights are unsuitable for art as they distort colour.

    Choosing a frame
    Framing can be expensive but it makes sense to choose the best you can afford. Always choose a reputable one. Angus Adonis of Roxanno's in Stellenbosch suggests asking the gallery where you have purchased the artwork for a referral.

    Many galleries will handle the framing themselves and you may be offered a discount.

    Ideally, you should supply the framer with as much information about the room as possible. A general guideline for framing is that paintings containing a majority of warm tones such as browns, yellows and reds, look better in warm-toned frames such as gold or bronze. Cooler-toned pictures with predominantly ice blues, greens and whites look better in frames the colour of platinum, pewter or silver.

    Unframed oils have become more popular in recent years. Artists are painting on the sides of the canvas to create a minimalist look. These are perfect for modern rooms but can also be incorporated into a traditional setting.

    Hardwood frames remain popular but the new synthetic frames are gaining in popularity and are available in various colours and finishes.

    Metal frames are the most expensive option, says Angus, but also offer greater freedom of choice.

    Synthetic frames aren't as pricy as hardwood frames but if you are keen on wood and need to cut costs, a pine frame is the cheaper option.

    Glass is essential for any artwork on paper, such as pencil drawings or pastels. Prints or etchings should also be framed under glass. Traditionally, oil paintings were not framed under glass but collectors' galleries are now doing this in order to protect them. If you decide to include a border on an oil painting, use glass. It should never press against the painting and you'll be asked to select a suitable mount.

    Hanging works of art
    To display art successfully, you'll have to consider the size of the room and other objects in the surrounding space. Finding the right spot for your masterpiece can be a challenge. A floral painting won't create an impact when hung over a floral sofa.

    Louder, bolder pieces are more suitable for high traffic areas, while personal, more intimate pieces are best suited to quieter spaces. Avoid a monotonous look by keeping the art of the same variety and proportion in one room. Break this monotony by varying the type of artwork you display.

    If you're grouping similar artworks together, don't hang the pictures too far from each other. Rather unite the group by placing them closer together and creating a uniform balance. Grouping different pieces of art can be a challenge and it's easier if you group odd shapes or sizes in uneven numbers and more symmetrical pieces in even numbers.

    The focal point should be the first thing you see when you enter a room. Fireplaces make great focal points and a piece of art hung just above the mantel can finish off the look.

    Attract attention to the arrangement by keeping the surrounding walls plain and accessories simple. Be sensible; don't hang art in direct sunlight or in damp areas.

    Ideas for affordable art
    Small galleries: Smaller galleries have lower overheads and you should be able to buy a piece at an affordable price.

    Art colleges: Art colleges have shows during which students display and sell their work. Final-year students often have excellent work at reasonable prices. You can also commission a student to paint for you.

    Auctions: You will need to have sound art knowledge to purchase art for investment purposes at auctions. An alternative is simply to keep your eye open for something you like – you may well be the only bidder and get the painting at a reasonable price.

    Art fairs: Watch your local newspaper for upcoming art fairs in your area. You may be able to pick up an original artwork for under R2 000.

    Caring for art
    Fine art, prints and photographs: Avoid storing these in direct sunlight as this will cause fading. Never touch a charcoal drawing as it is powdery and may smudge. Do not hang a print over a heat source and if you have unframed prints never store them on top of one another without a guard sheet – special solander boxes are also available for safe storage of prints. Any work on paper, including etchings, should be picked up using the thumb and forefi nger at opposite corners to prevent buckling. Watch humidity levels, as high humidity will encourage the growth of mould and cause discolouration.

    Textiles:
    Store rugs, wall hangings and other textiles away from direct sunlight. Prolonged exposure to light will fade colour and weaken fibres. Silks, animal fabrics and wool are susceptible to attack by insects. Clean and fumigate the storage area regularly but first remove the textiles. Never fold textiles, as this will also weaken the fibres.

    Three-dimensional works: As obvious as it sounds, don't place valuable sculptures, glassware, ceramics or pottery on small tables or narrow shelves where they can be knocked over. A display cabinet is always the safest place for these works.

    Click here for our art gallery.

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